Pewter flower dish from WMF with the original green cut glass removable liner. So Art Nouveau, with its flowing outline, featuring an openwork whiplash design framing leaves and berries of ivy. Originally electro-plated but most…
Art Nouveau pendant in 15 ct. gold by Murrle Bennett & Co. circa 1900. An elegant and timeless design with a fluid outline featuring gold wirework fashioned into an entrelac design, framing a splendidly contoured…
Cameo glass vase by Daum decorated with fishing boats, their sails silhouetted against an evening sky. A very effective contrast with the dark shapes and their reflections in the water set against the green and…
Quite delightful oil on canvas portrait of a young girl, perhaps no older than seven or eight years of age, painted by the French artist Édouard Alexandre Sain (1830-1910). Dressed in her Sunday best clothes…
This iconic sculpture by Jean de Roncourt, which is arguably his most admired work, is more usually seen in spelter. However, a much smaller number were cast in bronze and this particular piece is a…
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Ornately Framed French Enamel ‘La Porteuse d’Eau’
French enamel on copper Orientalist picture of a young female water carrier arriving at the water source carrying a large vessel on her covered head.
She’s seen stepping down towards the pool and is about to fill her container with cool, fresh water.
The ‘porteuse d’eau’ was a classic subject for early Art Nouveau artists and has been depicted in many sculptures, paintings and other works of that era.
This is a very fine example of the enameller’s craft with the main subject standing out strongly, framed by the edge of a wall against a rocky and rather barren looking background.
The copper plaque is firmly set in an extremely ornate carved wood frame, this being in the form of the somewhat derelict looking facade of an ancient building, with palms on one side and ivy snaking its way up the other. The frame shows evidence of having been visited by woodworm at some time in the past but is now clear of this pest.
A few of the tips of the palm fronds have been lost over the 120 plus years of its life but in our opinion this piece still displays quite beautifully. It may be wall hung or free standing using the folding easel stand at the back.
Signed lower right with a signature we’re unable to decipher with certainty but which looks to read A. Abaynier.
Approximately 53 cm high by 30 cm wide overall with the visible enamel image measuring 24 X 16 cm.