Murrle Bennett Gold, Peridot and Mother-of-Pearl Bracelet*
Bracelet from Murrle Bennett crafted in 9 ct. gold, so very typical of the style of jewellery supplied by them to Liberty’s during the early 1900’s. Openwork in design with alternate rectangular and square sections,…
Archibald Knox Gold Pendant for Liberty
Gold pendant with an openwork entrelac design from the drawing board of Archibald Knox and dating from circa 1905. Set with a central blister pearl drop and with a turquoise matrix lower drop, this pendant…
‘Lady on The Seine’ by Dietz Edzard*
Ornately framed oil on canvas by the German born artist Dietz Edzard (1893-1963). This is an atmospheric half length portrait of an elegantly dressed young woman taking refreshment whilst seated on a verandah raised above…
Loetz ‘Candia’ Vase with Silver Overlay
Little cabinet vase from Loetz in opaque ‘Candia’ glass with a trefoil rim, further decorated with an applied Art Nouveau ‘Silberiris’ design in pure silver. Loetz collaborated with a company in the US known as…
WMF Flower Dish
Pewter flower dish from WMF with the original green cut glass removable liner. So Art Nouveau, with its flowing outline, featuring an openwork whiplash design framing leaves and berries of ivy. Originally electro-plated but most…
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Silver and Faux Turquoise Necklace attr. to Bernard Instone
Item Description
Sterling silver necklace dating from the 1930’s that, although unsigned, is firmly attributed to Bernard Instone.
The main pendant, with its diamond shaped outline, features a centrally set oval enamel faux turquoise cabochon surrounded by intricate silver wirework and four tiny silver flowers.
This hangs from a circular surmount enamelled in the same fashion, which in turn is suspended on two short lengths of chain from a pair of similarly enamelled side attachments, ultimately connecting to the necklace chain.
Clearly marked sterling solver on the back of each of the four enamelled components and with a fully opened out length of 52 cms.