Murrle Bennett Gold, Peridot and Mother-of-Pearl Bracelet
Bracelet from Murrle Bennett crafted in 9 ct. gold, so very typical of the style of jewellery supplied by them to Liberty’s during the early 1900’s. Openwork in design with alternate rectangular and square sections,…
Archibald Knox Gold Pendant for Liberty
Gold pendant with an openwork entrelac design from the drawing board of Archibald Knox and dating from circa 1905. Set with a central blister pearl drop and with a turquoise matrix lower drop, this pendant…
‘Lady on The Seine’ by Dietz Edzard*
Ornately framed oil on canvas by the German born artist Dietz Edzard (1893-1963). This is an atmospheric half length portrait of an elegantly dressed young woman taking refreshment whilst seated on a verandah raised above…
Loetz ‘Candia’ Vase with Silver Overlay
Little cabinet vase from Loetz in opaque ‘Candia’ glass with a trefoil rim, further decorated with an applied Art Nouveau ‘Silberiris’ design in pure silver. Loetz collaborated with a company in the US known as…
WMF Flower Dish
Pewter flower dish from WMF with the original green cut glass removable liner. So Art Nouveau, with its flowing outline, featuring an openwork whiplash design framing leaves and berries of ivy. Originally electro-plated but most…
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Kate Eadie Silver and Aquamarine Necklace*
Item Description
An English Arts & Crafts silver necklace set with aquamarines and with enamel detail, by Kate M. Eadie (1878-1945).
An ornate and intricate design in festoon style with silver wirework supporting little sprays of leaves, some randomly enamelled in a matching shade of blue, surrounding the stones.
Each of the the five elements has a drop suspended below, the main central one being a double. Two further drops, one each side of the larger central element, complete an extremely elegant design.
In the original retailer’s box of Payne & Son of Oxford, who have been in business since 1790 and are now into their eighth generation of family members.
No marks but clearly by Kate Eadie who studied under Arthur Gaskin and exhibited her jewellery at the Royal Birmingham Society of Artists between 1908 and 1911.
The necklace, when opened out, has an overall length of 41 cm and the width of the main design is 13.5 cm. The central section is 6 cm long including the double drop.